“I would like to dedicate the play “S-Seagull” to my teacher, 

Grigory Mikhailovich Kozlov. 

With great gratitude and love."

Roman Gabria

Today, when theater for the audience has long been the sum of all kinds of aesthetics: verbal, dance, any. When the theater is filled with media-digital technologies and various near-cultural collaborations, it is especially interesting to return to Anton Pavlovich Chekhov’s program play “The Seagull”.

The first "new drama". The entire theater of the 20th century was stumbling over it. From Stanislavsky to Butusov, Krymov and beyond. Dozens of innovators, represented by more and more Treplevs, shouted that “new forms” were needed! What was this cry about? After all, Kostya loves Nina, Nina loves Borya, Masha loves Senya, and Polina loves Zhenya. The interpretations are endless.